Welcome back to another edition of Designer Tidbits. Our special guest of the day is Denyse Schmidt, talking about her Hadley collection for Free Spirit Fabrics. As a former graphic designer, Denyse reinterprets tradition to create modern designs that are vintage-inspired and fresh, and Hadley is no exception. Read on to learn more about her new collection and her inspirations.
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| Hydrangea Hadley |
Q: Tell us a little about the Hadley collection. What were you inspired by?
A: Like almost all my fabric collections for FreeSpirit, Hadley is inspired by the special towns and places of my native New England. Hadley is a town along the Connecticut River that has roots dating back to the Puritans. It was, and still is to some degree, pastoral and unspoiled. The campus of Mount Holyoke College is nearby. My mother spent some of her undergraduate education there (cut short by illness), so it has some resonance with me personally, besides the area in general being near where I grew up. Mount Holyoke is part of the “Seven Sisters” roster of what were historically women’s colleges, all founded in the mid- to late- 1800’s (including Radcliffe, Smith, Bryn Mawr, Vassar, Barnard and Wellesley). They attracted brainy, beautiful, independent, and assured women (like my mom). I starting finding AWESOME vintage photos of “Seven Sisters” college life, and these helped the idea and designs gel. I also found some fun contemporary fashion images that resonated with the vintage styles – that parallel is so much what my style is about – both vintage and new side-by-side, and timeless as a result.
Q: What is your design process when beginning a new collection?
A: I always start with the patterns: pulling scraps and bits from my extensive vintage collection, finding new relationships and overlap, creating a new collection from random and miscellaneous patterns and ideas that draws on vintage prints but that feels new and now. Once I have an assemblage of print fragments, I draw the patterns in Adobe Illustrator. In this stage, things will morph in scale, design elements, or complexity. The goal is to create a cohesive group of prints that aren't necessarily matchy-matchy. I do tend to rely on certain themes in my designs – a plaid, small calico-type prints, all-over florals or geometrics, and directional designs. I feel this creates a solid group without too much overlap but which can be mixed and matched to create anything from quilts to apparel to home accessories. The color comes last, and though I usually have some idea of where I want it to go, it’s essentially a trial and error process. I’m very visual so I need to see the various combinations and look at everything together. The direction and “right” colorways emerge through the process of seeing and looking, and sooner or later it all comes together!
